Tech enthusiast and startup advisor with a passion for emerging technologies and digital transformation.
Based in London and Brighton
Recommended if you like Underworld, MGMT, Animal Collective
Up next A new EP planned for 2026, currently without a title
Both tracks released to date by Ashnymph defy easy classification: the band's own tag of their music as “subconscioussion” leaves listeners guessing. The first single Saltspreader combined a pounding industrial rhythm – member Will Wiffen has at times appeared on stage in a tee that displays the emblem of Godflesh, icons of industrial metal – with old-school electronic keys and a riff that subtly echoes the Stooges’ garage rock perennial I Wanna Be Your Dog, before melting into a barrier of unsettling sound. The desired impact, the band has indicated, was to conjure highway journeys, “the grinding circulation of vehicles around the clock over great lengths … amber lights after dark”.
Its follow-up, Mr Invisible, falls between club music and unconventional alternative rock. On one hand, the song's beat, layers of hypnotic electronics, and singing that comes either psychedelically smeared or mesmerizingly repeated in a way that recalls the classic Underworld album era all indicate the dancefloor. On the other, its intense performance-style shifts, near-anarchic character and distortion – “getting that crisp distortion is a lifelong ambition,” Wiffen has said – distinguish it as very much the work of a band rather than a lone electronic artist. They've performed around south London’s DIY scene for less than a year, “anywhere that will turn the PA up loud”.
But each is thrilling and unique – from one another and anything else around at the moment – to make you wonder about the band's future direction. Regardless of the form, on the basis of these two singles, it’s sure to be engaging.
Dry Cleaning's Hit My Head All Day
“I really require adventures”, singer Florence Shaw declares on the group's captivating comeback, but over six minutes – with human breath marking time – you get the sense that she's unsure of the reason.
Danny L Harle – Azimuth (ft Caroline Polachek)
Merging gothic intensity to classic 90s trance – even the words “and I ask the rain” – Azimuth hints at reviving your rave outfits and making your way to a rave, right away.
Robyn – Acne Studios mix
The music by Robyn for the the fashion brand's latest show hints at her next record, including driving guitar parts à la Soulwax, pulsating rhythms in the Benassi vein and the lyrics “my body’s a spaceship with the ovaries on hyperdrive”.
Jordana's Like That
Listeners adored her soft rock album Lively Premonition last year and the Stateside musician further demonstrates her impressive hook-crafting ability as she sings about a futile crush.
Molly Nilsson's Get a Life
The independent Swedish artist released her latest album Amateur this week, and this track from it is remarkable: a electronic guitar part surges ahead with punk speed as Nilsson demands we seize the day.
Artemas – Superstar
After documenting jaded love and sex on his smash I Like the Way You Kiss Me and its accompanying release Yustyna, the musician of mixed heritage is wretchedly in thrall to his latest lover amid icy synth-driven sound.
Jennifer Walton – Miss America
From one of the year’s standout debuts, a soft synth lament about Walton discovering her dad had died in an hotel near an airport, tracing her uncanny surroundings in gentle refrains: “Shopping plaza, illegal trade, anxiety episodes.”
Tech enthusiast and startup advisor with a passion for emerging technologies and digital transformation.